Opening with an artistic procession from the Popular Culture Units (UCP)

Sounds from the Northeast (Choir from Engenho)
Under Marcelo Jardim’s direction,the choir presents music from the northeastern imaginary such as Asa branca, Samba da minha terra and Romaria, accompanied by the double bass, guitar and percussion.The stage concept is by teacher Rino Carvalho.

Main Stage
Campo Grande square

From Traditions to Traditions ((Oyá dance company)
Choreographies are constructed through a story based on a pastoral dance, which together with the set design and costumes, rebuild the ritualistic
imaginary of popular regional displays. Directed by Master King.

Main Stage
Campo Grande square

Lo Bi Iwa/Nana x Oxalá (Rumpilé dance company from Engenho)
Under Silvia Rita’s coordination, this work is a tribute to Nana, the candomblé god which governs the elements water and earth and which makes cosmic clay from mud,according to African mythology.

Main Stage
Campo Grande square

O Jogral (The Interpreter) (Acopmec theater group)
Under teacher Rino Carvalho’s coordination, the performance takes a personal snapshot from each student’s perspective of the country using various types of Brazilian music. In the repertoire are Aquarela do Brasil, Que País é Esse?, País Tropical and others.

Main Stage
Campo Grande square

Cortejo Afro e grupos de Dança do População

Main Stage
Campo Grande square

Cia de Dança dos Maristas (Grupo Convidado)

Povo Daqui (Grupo PIM - Convidado)

Brazilian Rhythms (Band Grucon)
The black consciousness group, coordinated by Kinho, will present a
repertoire connected to Brazilian rhythms such as maracatu, which has its
origins in African culture, with strong indigenous and Portuguese elements.

Sing and Sing Again a Children’s Musical (Palafitas Cantantes choir)
93 This musical performance, coordinated by Raiden, is inspired by children’s popular imaginary songs: children’s games, marches, rhymes and verses from rounds. The choral group comprises children aged between nine and twelve from the Santa Luzia UCP.

Main Stage
Campo Grande square

Echoes (Santa Luzia dance company)
In a performance conceived and choreographed by Leda Maria Ornelas, the shout and its physical echoes are shown via daily gestures. Dance students from the popular culture unit at Santa Luzia are in the cast.

O Jogral (The Interpreter) (Acopmec theater group)
Under teacher Rino Carvalho’s coordination, the performance takes a personal snapshot from each student’s perspective of the country using various types of Brazilian music. In the repertoire are Aquarela do Brasil, Que País é Esse?, País Tropical and others.

Digital Identity (Band É ao Quadrado)
Teacher Jorge Onça uses samba, baião and ijexá to create a performance in which popular rhythms are performed at the same time, creating a true poly-rhythm in a musical game.

Lo Bi Iwa/Nana x Oxalá (Rumpilé dance company from Engenho)
Under Silvia Rita’s coordination, this work is a tribute to Nana, the candomblé god which governs the elements water and earth and which makes cosmic clay from mud,according to African mythology.

Once Upon a Time Brazil (É ao Quadrado theater group)
From reflections about the country,the group readapts the play Once Upon a Time Brazil ,under the direction of Lúcio Tranchesi.Using music by Cazuza, Titãs and Raul Seixas,the performance goes through the discovery of Brazil until current times.

Sounds from the Northeast (Choir from Engenho)
Under Marcelo Jardim’s direction,the choir presents music from the northeastern imaginary such as Asa branca, Samba da minha terra and Romaria, accompanied by the double bass, guitar and percussion.The stage concept is by teacher Rino Carvalho.

Mensageiro (Grupo de Dança Herdeiros de Angola)
Através de música ao vivo e eletrônica, o espetáculo coordenado por Gilberto Baía mostra a energia e a força de Exu, inspirado em uma das lendas contadas pela Mãe de Santo Stella na comunidade do terreiro Ilê Axé Opô Afonjá.

Sentidos - Cia Ilimitada (Grupo Convidado